Lake Charles Theatre Bounces Back After Storms

After a particularly rough year enduring Louisiana storm weather, the city of Lake Charles has opened the doors of the famed ACTS theatre to the community, according to this article from The Advocate.

Many of Lake Charles’s cultural structures and institutions had sustained significant damage from the four natural disasters that have hit southwest Louisiana this past year. Despite much of the outside world seeing Lake Charles as a working-class town mostly comprising industrial plants and casinos, the oft-forgotten cultural structures are left behind in the conversation but not in the damages sustained.

The smaller Lake Charles theatres, though not as profitable as the industry that leads the city’s GDP, often bring a sense of community and spirit to the city’s population of roughly 80,000 people. This includes music venues, art galleries, and other performance spaces throughout the city limits for the area’s collection of zydeco musicians.

But as of Fall 2021, the arts are alive again in Lake Charles as a production of a musical, 42nd Street, has premiered in the ACTS Theatre, standing as the first play the former movie house has “put on” in over a year. Mike Ieyoub is one of the lead actors in the production of 42nd Street, and just before a recent rehearsal began for the show, he assessed damages that the theatre had sustained from Hurricane Laura and worried about the likelihood of reopening the theatre to the public. “We looked around and we didn’t think we’d get it reopened,” Ieyoub told The Advocate.

He and Kristen Harrell both play leading roles in 42nd Street, and they both commented on the audience’s excitement for the theatre’s return as well as the cast’s. They attributed the anticipation to the fact that dramatic performances in a theatre are symbolically representative of a return to normalcy for audiences, and they provide an outlet for cast members as well. Harrell said, “for a lot of us who grew up doing it, myself included, it’s like, ‘I can tap again;’ coming back together and just having fun.”

The cultural affairs director for the city of Lake Charles, Louisiana, Matt Young, said the following regarding the resilience of the city and its residents in light of the past years of storms: “living in Lake Charles is kind of tough these days, but I think the more that we’re able to restore our festivals and fairs and open our cultural institutions and attractions, the better chance we’re going to have of keeping our residents, and not just keeping them, but giving them a great quality of life.”

Over the past few years, Lake Charles has put in noticeable efforts to address some of the citizens’ concerns that certain neighborhoods and structures in the city have been neglected for quite some time. These efforts include the creation of the Nellie Lutcher Cultural District in the northern area of the city through the use of tax incentives. This creation of a district named after the famed Lake Charles jazz singer and pianist is an effort to spur new development in this area of the city.

Another effort supported by the city is to construct a new performing arts space, and given that the Lake Charles Little Theatre had sustained heavy storm damage recently, it will soon be demolished. Randy Partin is the former president of this once-operating theatre, as it’s the second-oldest performing group in the state, having established itself in 1926, but due to the scheduled demotion, Partin has aligned his goals with the city’s. He founded the Live Arts Venue Alliance in an effort to lobby for and support the establishment of a new performance space in the city.

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Theatre Baton Rouge Starts its 75th Season Opening

Amongst every challenge to live theatre 2020 has brought its way, Theatre Baton Rouge will be celebrating its 75th season by presenting a blend of in-person and online, broadcasted performances in October, November, and December, The Advocate reports.

Since 1946, Theatre Baton Rouge has produced over 400 productions of dramas, comedies, and musicals for the local community, and amid the pandemic, live, engaging theatre is a highly-coveted commodity. Jenny Ballard, the managing artistic director of Theatre Baton Rouge remarked that there is simply “no substitute for live theater. You can have 400 channels on your TV at home. You can have every conceivable iteration of Shakespeare … but there is nothing that compares to being in the room. It is a special intimacy.”

This season, the Theatre Baton Rouge performers will be staging three productions. “Vintage Hitchcock: A Live Radio Play”will be staged October 29-31 over the Zoom Teleconference app. In November, live audiences up to 40 people will be able to see “An Act of God,” and up to 80 audience members can see the troupe’s production of “It’s a Wonderful Life”come December. Also that month, TBR will stream their “The Gift of the Magi” online.

For 75 years now, this theatre has been adapting to the changing environment in order to remain relevant as social and entertainment attitudes, options, and tastes have varied dramatically since 1946.  What would eventually be known among the cultured of Louisiana’s capital as Baton Rouge Theatre began its stored career as the Baton Rouge Civic Theatre with a production of “The Male Animal” at the Woman’s Club on East Boulevard. In fact until the Harding Field theatre became its home in 1948, the theatre staged productions at various venues around the city.

Jerry Leggio, a member of the theatre who began acting in the late 1950 recalled actors exiting stage having to run around the back side of the building in order to return to stage on the opposite side, as the venue at the Harding Field theatre had no backstage. The theatre was built in order to entertain servicemen stationed at the airfield with live performances and films, but weather proved to be quite challenging as rainfall would regularly cancel performances or interrupt them, as it did during the theatre’s run of “A Streetcar Named Desire” in 1959.

Though, just as the theatre proves to be versatile in adapting to the challenges of COVID and 2020, the actors improvised. Leggio recalled in his interview with The Advocate, ““One night, I went out and came back so wet I had to inject a line: ‘Stella, don’t you know it’s raining outside? Of course, everybody knew what I was doing.”

Theatre Baton Rouge changed its name in 1951 to the Baton Rouge Little Theatre, and Theatre House Magazine rated it as the third-best community theatre in the country due to its quality and community support. In fact, while operating as a membership-based theatre, prospective members had to wait for existing members to leave in order to be granted entry.

With time and community support, the Theatre Baton Rouge’s operations and legacy grew exponentially, starting with its first artistic director, Lee Edwards, who committedly held the role until his death in 1978. Edwards was followed by Frank Pope, Henry Avery, Roy Hamlin, Keith Dixon, and J
Enny Ballard, all of whom have succeeded in carrying on the legacy of this staple of Baton Rouge.

Ballard remarked, ““We have a lot of great things happening, but as soon as COVID lets up, we plan to be able to shoot back into action, but in the meantime, we’re doing what we’re doing, and we’re doing it really well.” So, as the expression goes, despite it all, the show truly must go on.

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Local Entrepreneur Benny Cenac Donates To The Oh La La Theater Series to Nicholls State

The “Oh Là Là” theater series will behosted by Nicholls this school yearthanks to private donor and philanthropist Arlen Benny Cenac, Jr.  Cenachas always been a major proponent for the arts and education and jumped at theopportunity to help make that a reality for his community.  

The donations went toward several funds and projects necessary to make the show a reality, including renovations on the Mary and Al Danos Theater totaling upwards of $9.6 Million.  According to Dr. Bruce Murphy, Nicholls President, the name Oh Là Là is an homage to Al Danos, who enjoyed conversing in French. The Danos family, whose parents donated $1 million toward the theater’s renovation, released a statement in support of Nicholls’ upcoming series.  “Mom and Dad would have loved this and attended every show,” The Danos family said. “Oh Là Là is exactly what Dad had in mind when he started raising money for the theater.”

In August the university hosted donors, lifetime alumni members and Nicholls Foundation board members at the newly renovated theater for a special preview and an opportunity to purchase season tickets, and spectators were blown away by its beauty, functionality and charm. Monique Crochet, Nicholls’ acting director of advancement, said the upgrades to the Danos Theater were the cornerstone and missing piece that made the theater series possible. Crochet said the improved theater allows Nicholls to bring high-quality, high-demand shows to Thibodaux, enriching the community by increasing exposure to the arts.  “We noticed other universities were doing it. We thought it would be a great idea to bring this to our local area,” Crochet said. She said revenues from sponsorships and ticket sales will go toward maintenance of the theater and the purchasing of future shows.

The first show featured at “Oh Là Là” was back in September. Touring for over seven years and featuring six vocalists and dancers, the Frankie Valli tribute show “Let’s Hang On!” entails a live band that performs all the hits from Frankie Valli and the Four Seasons including “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” “I’ve Got You Under My Skin,” “Can’t Take My Eyes Off of You,” “December,” “Who Loves You” and “My Eyes Adored You,” among others.

In November, a Christmas show by the Dutton Experience, a 15-member family band that has been playing together since 1991, made its debut bringing a variety of genres from bluegrass to classical music to the Danos Theater.  The next act to be featured will be the New Orleans-based Louisiana Philharmonic Orchestra on Feb. 15. Formed the very same year as the Dutton Experience, the LPO is the oldest full-time musician-governed and collaboratively-operated professional symphony in the nation. After that in March, the acrobat troupe The Golden Dragon Acrobats will bring their aerial excellence to Thibodaux.  This 50 year old Chinese act is recognized as the premier Chinese acrobatic company in the United States, according to Nicholls’ press release announcing the shows.

“Oh Là Là” finishes by  featuring the timeless songs of the Fab Four. A Grammy-nominated Beatles tribute band featuring four musicians handpicked by George Harrison’s sister will feature vintage instruments and iconic costumes from the Beatles’ collection.  Crochet said she thinks the wide range of music brings a good diversity of performances, and she expects Nicholls to find different acts in the future. She said the university will start working on its booking efforts for the 2018-19 season in January when acts start revealing their schedules. Dr. Murphy attributed “Oh Là Là” as an important step toward successfully reaching the university’s goals.  “Here at Nicholls, our vision is to be the intellectual, economic and cultural heart of the Bayou Region. The diversity of world-renowned acts coming to our campus as part of the Oh Là Là series fits perfectly with what we’re trying to accomplish,” Murphy said.

Season tickets are now available to purchase. To purchase tickets or become a sponsor, call Tammy Toups at (985) 448-4134 or email tammy.toups@nicholls.edu.

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